Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

8/12/15

Amanda Pauley's story ""Jack Nicely" will be in October Carve Magazine

Looking forward to the October issue of  Carve Magazine,  which will include  Amanda Pauley​'s (website) story "Jack Nicely" (She placed 3rd in the magazine's annual Raymond Carver Short Story Contest   Andre Dubus III judged.)


Amanda, who Amanda received an MFA from Hollins in 2014, wrote there were over 1200 entries and tells something of the story's history on her Facebook page:

This story began to form when I worked at Social Services and was given a tour of the DCSE, and later interviewed an employee there. Then it was written, rewritten, rewritten in a different point of view, and REJECTED 32 times.

Her two years at Social Services had already yielded another published story, "Braids" in  the third issue of the Masters Review Anthology. (You can read an interview on that story here.)  "Butchering" appeared in Mud Season Review, along with another interview. You can read her story, "An Ace Up My Sleeve" in Gravel.  Shennandoah Magazine published her flash fiction piece "Hope."  Steel Toe Review published her story, "Muddy Water." 

 Her work has also appeared in  Arts & Letters ("The Window"), Clinch Mountain Review ("Dark Eyes"), West Trade Review ("Blind Fish") and  Canyon Voices.

10/18/08

Virgina Literary Awards

Acccording to tomorrow's uncredited story in the Richmond Times Dispatch, which I'm guessing may be a press release reprint, Shenandoah editor R.T. Smith, who received the Library of Virginia 2002 poetry award for Messenger is again the recipient of the poetry prize for Outlaw Style: Poems which the of judges hailed as offering

a brooding understanding of both the riches and horrors of Southern culture.
He won out over other poetry finalists Blessings and Inclemencies by Constance Merritt and Littlefoot: A Poem by Charles Wright.

Wesley C. Hogan, assistant professor of history and co-director of the Institute for the Study of Race Relations at Virginia State University, won the non-fiction award for Many Minds, One Heart: SNCC's Dream for a New America which

explores how the Student Nonviolent Coordinating Committee broke open the caste system in the South and offers new insights into the internal dynamics of SNCC as well as the larger civil-rights and black-power movements.

The judges felt that ...[she] reminds us of the ongoing quest for democracy while highlighting its complexity and fragility and thatHogan's voluminous research and graceful style engaged the reader from beginning to end.

The other finalists for the nonfiction prize were Barbara Kingsolver with Steven L. Hopp and Camille Kingsolver for Animal, Vegetable, Miracle: A Year of Food Life and Peter Wallenstein for Cradle of America: Four Centuries of Virginia History. Honnorable mention went to What This Cruel War Was Over: Soldiers, Slavery, and the Civil War by Chandra Manning.

For the first time since the inception of the Library of Virginia Literary two awards for fiction to creative wrting professors. George Mason University's Helon Habila for Measuring Time and Old Dominion Universaity's Janet Peery for What the Thunder Said, are winners for the best work of fiction. The judges felt that the literary styles of both, though different, were

equally impressive and equally worthy of the award. "Measuring Time" plays with our conceptions of history, showing it as something lived and told rather than documented. In "What the Thunder Said," the language and structure of the novel appear effortless, the judges said, the narrative voice is authentic and evocative of the Depression during the Dust Bowl years and Peery's prose is beautifully lyrical.


This year's other fiction finalist was The Rope Walk by Carrie Brown, who won the category in 2005 for Confinement and in 2001 for The Hatbox Baby.
. . .

The winner of the People's Choice Award in the fiction category is Puss'n Cahoots by Rita Mae Brown and in the nonfiction category, Unruly Americans by Woody Holton. The finalists for these awards are selected by a panel of independent Virginia booksellers and librarians from the list of books nominated for the Library's Literary Awards and winners are decided by readers voting online and in libraries.


David Wojahn, who teaches at Virginia Commonwealth University and directs its creative writing program, received the Weinstein Poetry Prize. His first book, "Icehouse Lights," won the prestigious Yale Series of Younger Poets prize. He is the author of six collections of poetry. The Weinstein Prize winner is selected separately from the Library of Virginia's Literary Awards by a special board of curators.

Pamela Duncan Edwards was honored for "The Old House," winner of the second annual Whitney and Scott Cardozo Award for Children's Literature.

Rita Dove is the recipient of the 2008 Library of Virginia Lifetime Achievement Award. A former Poet Laureate of the United States and Consultant in Poetry at the Library of Congress, Dove is the youngest person -- and the first African-American -- to receive this highest official honor in American letters. She held the position for two years. In 2004, then-Gov. Mark R. Warner appointed her Poet Laureate of the Commonwealth of Virginia, a two-year position. Dove is Commonwealth Professor of Poetry at the University of Virginia.


9/16/08

David Foster Wallace, 1962-2008

Photo of David Foster Wallace from a 2006 reading by Steve Rhodes.
Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed.
David Foster Wallace's 2005 commencement address at Kenyon College, like much of his writing, combined sagacity with the colloquial. And now the novelist, short story writer, generous teacher and gonzo journalist is gone. He hanged himself on September 12.

In a 2003 interview with The Believer he described his writing process,

My basic MO is that I tend to start and/or work on a whole lot of different things at the same time, and at a certain point they either come alive (to me) or they don’t. Well over half of them do not, and I lack the discipline/fortitude to work for very long on something that feels dead, so they get abandoned, or put in a trunk, or stripped for parts for other things. It’s all rather chaotic, or feels that way to me. What anybody else ever gets to see of mine, writing-wise, is the product of a kind of Darwinian struggle in which only things that are emphatically alive to me are worth finishing, fixing, editing, copyediting, page-proof-tinkering, etc.

In 2000, he had written an essay on the presidential race for Rolling Stone, "The Weasel, Twelve Monkeys And The Shrub: Seven Days In The Life Of The Late, Great John McCain," which caused Slate political reporter Christopher Beam (email) to ponder August 14 in his blog The Trailhead, "What Would David Foster Wallace Make of McCain 2008?" It's a really nice reprise of the article and has a postscript which answers the question in the title, citing a a May 31, 2008 email interview with Christopher John Farley in the WSJ:
The essay quite specifically concerns a couple weeks in February, 2000, and the situation of both McCain [and] national politics in those couple weeks. It is heavily context-dependent. And that context now seems a long, long, long time ago. McCain himself has obviously changed; his flipperoos and weaselings on Roe v. Wade, campaign finance, the toxicity of lobbyists, Iraq timetables, etc. are just some of what make him a less interesting, more depressing political figure now—for me, at least. It's all understandable, of course—he's the GOP nominee now, not an insurgent maverick. Understandable, but depressing. As part of the essay talks about, there's an enormous difference between running an insurgent Hail-Mary-type longshot campaign and being a viable candidate (it was right around New Hampshire in 2000 that McCain began to change from the former to the latter), and there are some deep, really rather troubling questions about whether serious honor and candor and principle remain possible for someone who wants to really maybe win. I wouldn't take back anything that got said in that essay, but I'd want a reader to keep the time and context very much in mind on every page.
DFW also wrote about 9-11 for the October 25, 2001 Rolling Stone in "The View from Mrs. Thompson's" and would write about politics again in his introduction to the Best American Essays of 2007 explaining his selections,
Here is an overt premise. There is just no way that 2004’s reelection could have taken place — not to mention extraordinary renditions, legalized torture, FISA-flouting, or the passage of the Military Commissions Act — if we had been paying attention and handling information in a competent grown-up way. ‘We’ meaning as a polity and culture. The premise does not entail specific blame — or rather the problems here are too entangled and systemic for good old-fashioned finger-pointing. It is, for one example, simplistic and wrong to blame the for-profit media for somehow failing to make clear to us the moral and practical hazards of trashing the Geneva Conventions. The for-profit media is highly attuned to what we want and the amount of detail we’ll sit still for. And a ninety-second news piece on the question of whether and how the Geneva Conventions ought to apply in an era of asymmetrical warfare is not going to explain anything; the relevant questions are too numerous and complicated, too fraught with contexts in everything from civil law and military history to ethics and game theory. One could spend a hard month just learning the history of the Conventions’ translation into actual codes of conduct for the U.S. military . . . and that’s not counting the dramatic changes in those codes since 2002, or the question of just what new practices violate (or don’t) just which Geneva provisions, and according to whom. Or let’s not even mention the amount of research, background, cross-checking, corroboration, and rhetorical parsing required to understand the cataclysm of Iraq, the collapse of congressional oversight, the ideology of neoconservatism, the legal status of presidential signing statements, the political marriage of evangelical Protestantism and corporatist laissez-faire . . . There’s no way. You’d simply drown. We all would. It’s amazing to me that no one much talks about this — about the fact that whatever our founders and framers thought of as a literate, informed citizenry can no longer exist, at least not without a whole new modern degree of subcontracting and dependence packed into what we mean by ‘informed.’
Here are some of his stories from the New Yorker:
From Gourmet:
From The Atlantic:
From Esquire:
And from Harper's:
And here are some fans who have shared uncollected DFT:

8/29/08

Ann Patchett and Run





Photograph Ann Patchett taken in her home in Nashville by Heather Culp from an interesting piece, "Intimate Portraits," by Kate Summerscale in the August 11, 2007 Telegraph Magazine.

*

Ann Patchett's Run would have been a perfect novel, by my lights, if she hadn't tried to tie up everything in the last chapter. It's still a worthwhile meditation on politics, race and family. I'm a great admirer of her novels, including her first, Patron Saint of Liars. She's most famous, of course, for Bel Canto, which won the Orange Prize for Fiction and PEN/Faulkner Award.

Wendy Fry had an interview in the August 3 San Diego Union-Tribune, "For Ann Patchett, the best part of the process is not the writing" in which Patchett says,



The only thing interesting about my process is I write the whole book in my head before I ever pick up a pen. While I'm emptying the dishwasher, or making the bed, I've got these complicated storylines and characters developing in my head....It's a very happy time, like staring into a fog. I do not write my way through it. I really work it out in my head...“That part [the writing it down], for me, is really unpleasant... I'm so happy making it up and I'm so unhappy writing it down.
For those of you who might want to check out her occasional writing in newspapers, see


  • "Nashville's Band of Outsiders" about the alt-music scene in her hometown in the September 23, 2007 NYT; and

  • "The Wall" about taking the test to get into the LA Police Academy in the June 19, 2007 WaPo.






















8/3/08

The Atlantic's 2008 Fiction (non-fiction and poetry) Issue

Illustration by Jonathan Barlett for "Nine" available online at The Atlantic.

There you can find all of the following (plus an archive of past issues for 2005-7 and more)

FICTION
  • "Nine" by Aryn Kyle plus an interview where the author talks about her debut novel, The God of Animals.
  • "Stand By Me" by Wendell Berry
  • "Patient, Female" by Julie Schumacher
  • "The Second Coming of Gray Badger" by Carter Simms Benton (plus an audio of the author reading the story)
  • "Carmen Elcira: A (Love) Life" by Cristina HenrĂ­quez (plus audio)
  • "We Are All Businessmen" by Mark Fabiano (plus audio)
  • "Obituary" by Jessica Murphy Moo (plus audio)
  • "Amritsar" by Jess Row
ESSAY

"My Life in Sales" by by Ann Patchett
POETRY
  • Interview with Mary Jo Salter about her new collection, Phone Call to the Future
  • "Bower Bird"by Caki Wilkinson
  • "Today's Meditation: The Sadness of the Subtropics" by Debora Greger
  • "Event Horizon"by Rachel Hadas
  • "Hammer" by Lucas Howell
  • "Russet"by Dick Allen
  • "Sketchbook"by Linda Bierds
  • "Music Is Time" by Jill Bialosky
  • "Summertime" by D. Nurkse
  • "The Piano tuner" by James Reiss

10/16/05

Time Magazine 100 Best English Languels 1923 - Nowage Nov

http://www.time.com/time/2005/100books/the_complete_list.html